Choose your kind of strange.
Polarity Switch gives the sub a cleaner, more synth-like feel. Magnitude Reapply brings a grittier character. Build the second sub by cascading the divider or re-detecting the first sub voice.
Sunbunny / Analog-style octave playground
Oh See
Threee.
Analog-style octave divider turns any input into a layered, glitchy analog choir.
Go deep, get bright, or let the whole stack wobble. Turn one source into five voices with their own place in the mix.
One input. Five octave voices.
A little choir of strange.
Mix two octaves below, two above, and the unison in between. Push the low end into a synth-like growl, bring out upper-octave grit, or leave space for your original sound.
−2
Deep sub
Two octaves down
−1
Sub
One octave down
0
Unison
Your source, shaped
+1
Upper
One octave up
+2
High upper
Two octaves up
Voice layout / each layer has its own level, pan and delay.
Shape the character
From a steady sub to a happy accident.
Spread the stack.
Set the level, stereo pan and delay of every voice. Keep the sub centered, send the upper voices to the sides, or offset a layer to give it its own space.
Warmth below. Bite above.
Separate tone controls shape the sub, unison and upper ranges. Independent prefilters feed the two upper-octave stages; the optional +2 high-pass can clear away lower products.
Let the sound breathe.
Envelope, LFO and noise modulation bring movement to delay, pan and filters. Run the LFO freely or sync it to the host tempo. Pitch Cycle sweeps across the voice stack, with optional crossfades.
Two ways in
The whole choir. Or one voice.
Oh See Threee
Build the whole stack.
Five voices mixed at once, with individual levels, pans and delays. Blend the registers together or sweep between them with Pitch Cycle.
- Simultaneous five-voice mixer
- Pitch Cycle and optional crossfade
- Independent clean Dry Blend
Oh See Threee Lite
Find one sound and dig in.
Choose a single octave position, then shape its level, pan, delay and filter alongside Dry Blend. A focused way to explore the same octave character.
- One selected voice: −2, −1, 0, +1 or +2
- Single-voice controls and Dry Blend
- No Pitch Cycle
Make room for the unexpected
Try it on a sound you know.
Start with a low-octave layer. Add some brightness. Then loosen the tracking or bring in a little modulation and follow where it goes.
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